Glaze-o-rama!

After last week's glazing experiments, I decided to do a little more glazing and also make some corrections to earlier work. Revisiting older dry paintings is a cool way to feel like you are getting a ton of stuff done...when, in reality, it takes very little time.  For the glazes, I used one part thinner to 2 parts stand oil, and then I applied the color where I wanted it.
(All of these paintings are "studies" and I was not heavily invested in the outcomes...I wound up pleased, though).

This bouquet was painted quite a while back. I like it because it is the complete opposite of "fussy". A glaze of yellow made it more interesting.

This painting received a light all over glaze of Ultramarine blue. I then went back and removed the blue out of the yellow. The glaze helped unify the colors in the painting.

Here are these people in the rain again..... I "obscured" her ugly foot. Good move, if I do say so myself.

I added a bit more color to this portrait. She was a cool experiment (with a grisaille). I'm calling her done now.

(1) Painting: Celeste Bergin, Wild Flowers, oil on 8x10 canvas panel
(2) Painting: Celeste Bergin, Reflections, oil on 8x8 canvas panel
(3) Painting: Celeste Bergin, Conversation, oil on 9x12 canvas panel
(4) Painting: Celeste Bergin, Portrait, oil on 16x20 canvas panel

That's my Monday...how's yours?